MOVIE PREVIEWS
THE POST
Rated: PG-13
Release Date: 01/12/2017
Production Company: 20th Century Fox

Cast:
Meryl Streep, Tom Hanks, Sarah Paulson,
Bob Odenkirk, Tracy Letts, Bradley Whitford, Bruce Greenwood and Matthew Rhys.

Crew:
Director: Steven Spielberg. Producers: Steven Spielberg, Liz Hannah, Kristie Macosko Krieger, Rachel O'Connor and Amy Pascal. Executive Producers: Tom Karnowski, Adam Somner, Tim White and Trevor White. Screenwriters: Liz Hannah and Josh Singer. Cinematographer: Janusz Kaminski.
Plot:
By: Lana K. Wilson-Combs

Director Steven Spielberg’s “The Post” is a journalistic thriller with a message about freedom of the press that is as timely in 2018 as it was in 1971, the year which the movie is set.

Tom Hanks (“Sully”) and Meryl Streep (“Mama Mia: Here We Go Again”) --who have never starred together onscreen until now—are a formidable pair in “The Post.”

Hanks plays Washington Post editor Ben Bradlee and Streep stars as the newspaper’s first female publisher, Kay Graham.

Cash strapped and always in the shadow of The New York Times, the newspaper is eager to make more money and increase circulation, but that’s easier said than done.

Then Graham (Streep) learns that the Times is running an explosive feature story--thanks to whistle-blower Daniel Ellsberg, (Matthew Rhys, TV’s “The Americans” and “Girls”)—regarding classified government documents (The Pentagon Papers).

These documents detail a chain of lies and cover-ups surrounding the Vietnam war and how the presidential administrations of Eisenhower, Kennedy, Johnson and Nixon lied to the American public about it.

Now Graham is in a precarious position.

She must decide whether to expose Defense Secretary, Robert McNamara (Bruce Greenwood, “Kingsman: The Golden Circle”) for his role in this mess as well as pursue the story with her staff of reporters led by Ben Bagdikian (Bob Odenkirk, “The Disaster Artist”).

Doing so is risky and will likely result in pushback from the paper’s Board of Directors. They have questioned her decision-making authority mainly because she’s a woman and she obtained control of the paper after her husband died.

Most of all, Graham’s decision to publish the story would defy the federal court who admonished the Post along with other papers not to run any additional articles.

The heart of “The Post” centers on the tug of war between Bradlee’s eagerness to publish the story without fear or favor and Graham’s personal convictions.

With “The Post,” screenwriters Josh Singer (“Spotlight” and TV’s “The West Wing” and Liz Hannah (“Reign Over Me”) have crafted a companion piece of sorts to the 1976 political drama, “All the President’s Men” which starred the late Jason Robards as Ben Bradlee, the character Hanks plays here.

Streep and Hanks deliver stellar performances as does Odenkirk as the determined, old school journalist sniffing out the story of a lifetime.

And speaking of old school journalists, it’s movies like “The Post,” and “Spotlight” which really resonate with newspaper journalists particularly since the industry seems to be slowly dying. It’s also a fond reminder of just how important a free press is.

Be sure to catch my N2Entertainment.net movie talk segment on the Kitty O'Neal Show Fridays at 6:40 p.m. on radio station KFBK 1530 AM and 93.1 FM.

Take A Peek At This Trailer For "THE POST"

Lana K. Wilson-Combs is a member of the Broadcast Film Critics’ Association (BFCA), the Black Reel Awards Voting Academy and a Nominating Committee Voting Member for the NAACP Image Awards.

OLD SCHOOL VIDEO PICK OF THE MONTH

Brian's Song Title: Brian's Song
Year Released: 1971
Running Time: 90
Production Company: Screen Gems (Sony)
Director: Buzz Kulik
Director of Photography: Joseph F. Biroc
Screenwriter: Gale Sayers, Al Silverman and William Blinn
Author: Lana K. Wilson-Combs

REVIEW: This Review Reprinted In Honor Of Movie Critic Bill Gibron--May 14, 1961--May 11, 2018. Pictured Top Left.

Now with summer behind us, the arrival of fall means weekends attending and watching plenty of football games. Whether they’re college, pro or high school, I’m all over them.

And when it comes to football movies, few move me as much as the 1971 drama...
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